Category: News

  • Puppets Take Strathmore

    Puppets Take Strathmore

    Around the world, across the centuries, puppets have transcended cultures as one of the most expressive, adaptable art forms—its origins can be traced back to Egypt, about 4000 years ago. From Saturday, June 22–Tuesday, August 17, 2013, the campus-wide festival Puppets Take Strathmore (North Bethesda, Maryland) observes contemporary puppet culture through performance, workshops and an art exhibition, proving that puppets don’t only serve as children’s entertainment, but also as powerful tools for storytelling and for communicating ideas to people of all ages. From award-winning Broadway shows like War Horse and Disney’s The Lion King to astonishing new stagings of opera and dance, puppets have transformed the arts in America. Puppets Take Strathmore invites artists and experts such as Cashore Marionettes, Blue Sky Puppet Theatre, Nana Projects and the preeminent Blair Thomas & Company to share the stage with their creations and explore this amazing medium. For additional information and tickets, call (301) 581-5100 or visit www.strathmore.org.

    In Hard Headed Heart (D.C. Premiere), a trio of interconnected solo vignettes, Chicago-based puppet artist Blair Thomas creates new art where puppetry and performance art collide. The performance, featuring music performed live by Chelsey Green and The Green Project, is based on the words of Federico García Lorca, Wallace Stevens, and the blues classic “St. James Infirmary.” Thomas is “a controlled maelstrom, at once scene-shifter, shape-shifter, storyteller, and one-man band…” (ChicagoMag.com). A sellout in Chicago, this is Hard Headed Heart’s D.C. premiere. Best for ages 14 and up; this show is intended for adults. Sunday, August 4, 2013, 1 & 4 p.m. City Dance Studio 405 Theater at Strathmore (Music Center at Strathmore), Tickets $15

    In Blair’s workshop, The Puppet Tells the Story, participants create their very own puppet show, complete with handmade rod puppets and scripted skit. Best for ages 8-12. Kids dive in with paper, cardboard, sticks, ink markers and lots of hot glue to create their two dimensional performance masterpieces. Saturday, August 3, 2013, 10 a.m. –noon, Mansion at Strathmore, Tickets $25.

    Strathmore patrons can extend their experience by visiting the Puppets Take Strathmore microsite, featuring a history of puppets around the world as well as education and performance guides.

    The festival kicks off with No Strings Attached, a fine art exhibition featuring an eye–popping collection of photography, representative sculpture, masks and multi-dimensional puppets of every size, color, culture and description. No Strings Attached examines the role of fine arts in the creation of puppets, and the reverse, puppetry’s influence on visual art. The exhibition highlights puppets large and small to showcase the genre’s depth, from Don Becker’s palm-sized marionettes to the larger-than-life, interactive mutant puppet-creatures of international touring group, Big Nazo. Heather Henson’s IBEX entertainment company is providing the puppet short Yamasong with puppets from the film, as well as shorts from the film Handmade Puppet Dreams, Volume IV. Other highlights of the exhibition include the stop-motion short film Cicada Queen; 14 vintage puppets from the Ballard Museum of Puppetry including Punch and Judy puppets from the early 1900s and marionette replicas of Fred Astaire and Ginger Rogers from the 1930s; puppets caught  in action through the photography of Richard Termine and the still life dioramas of Elyse Harrison, vignettes that combine to form a full narrative; and Philip Huber-designed (Being John Malkovich, Oz the Great and Powerful) puppets from the Broadway production, Busker Alley. Fourteen artists and organizations are represented in the exhibition.

    Performances from Cashore Marionettes, Blue Sky Puppet Theatre, Nana Projects and Blair Thomas & Company illustrate the dynamism and sophistication of puppetry as an art form. Emma Jaster, Katherine Fahey, Pointless Theatre Co., Sarah Olmsted Thomas and Alex Vernon, Colette Searls and many more artists will be featured in the Puppet Slam and outdoor concert puppet performances. A trio of rich education experiences will see participants creating their own puppet shows, learning about puppets as a storytelling tool and the representation of puppetry in contemporary American theater. The festival culminates with an academic panel discussion and puppet slam featuring some of the best local artists performing short, new works, and the Washington premiere of Blair Thomas & Company’s critically acclaimed Hard Headed Heart.

    For additional information or to purchase tickets, visit www.strathmore.org or call (301) 581-5100.

  • Blair Performs The Selfish Giant at Three Oaks Theater Festival

    Blair Performs The Selfish Giant at Three Oaks Theater Festival

    Blair’s popular show The Selfish Giant, based on the Oscar Wilde fairy tale, will play at the Acorn Theater in Three Oaks, Michigan, Saturday, July 6, at 1:00 pm. The performance appears as part of the Three Oaks Theater Festival. TimeOut Chicago had this to say about The Selfish Giant:

    “Blair’s magnificent puppetry breathes some fresh air into the well-known tale of a giant whose refusal to allow children to play in his garden results in an eternal winter. His craftsmanship and ability to manipulate his creations allow the large-scale giant to convey emotion. Even the smaller marionette children, birds and bees appear full of life when the children sneak back into the garden and bring spring along with them. And Smith’s ability to render the entire play in song adds a folksy, fun sensibility to the story that is appreciated as much—perhaps even more—by the grown-ups in the audience.”

    Time: 1:00pm.
    Admission: $15.00 (children under 4 are free).
    Age restrictions: All Ages.
    Box office: 269-756-3879.
    Address: 107 Generations Dr., Three Oaks, MI
    Venue phone: 269-756-3879.

  • Sharing the Wealth, Sharing the Stage

    Following an evening of electric performances by Blair Thomas & Co., eighth blackbird, and Lucky Plush Productions, nearly 300 guests celebrated the launch of Creative Partners at the Museum of Contemporary Art Chicago on Thursday, April 25. A collective that provides professional fundraising to three nationally recognized arts organizations, Creative Partners provides Chicago favorites Blair Thomas, eighth blackbird and Lucky Plush responsive fundraising and administration that allows the companies to focus on what they do best: creating world­class theater, music, and dance.

    The event featured performances by Blair Thomas, accompanied by a live string quartet, in The Blackbird, Lucky Plush in a selection from Cinderbox 2.0, and eighth blackbird performing music by Derek Bermel, David Lang and Tom Johnson. Presented in breathless back­to­back format, the performances sent the message that the companies share not only a dedicated development team, but also broad artistic sensibilities ­­ all are doing work that is genre­bending,playful, and technically rigorous.

    “The evening was a fantastic showcase for the artistic mastery and creative playfulness these three companies express in their disciplines and it demonstrated clearly why they make such perfect collaborators,” said Charles Twichell of Prince Charitable Trusts. During the event, video segments featured Artistic Director of Lucky Plush Julia Rhoads, Managing Director of eighth blackbird Jen Richards, and Artistic Director of Blair Thomas and Company Blair Thomas in conversation about the history and intent of the collective. “For small and midsize organizations, it’s the only really sustainable way to grow and to take some of the administrative burden off of the artists,” Richards said.

    Initially conceived by Rhoads, Creative Partners was strategically developed in collaboration with Thomas and Richards to define the financial structure and terms, short and long­term goals,board involvement, oversight, and succession. “It doesn’t work for us to create an administrative structure that we have to fundraise for to support the administrative structure,” Thomas said.

    Creative Partners already benefits from the support of the MacArthur Foundation and the Prince Charitable Trusts, and Director of Development Dana Horst’s position is underwritten for at least two years. For supporters, sponsors and foundations, that means that monies earned by Creative Partners directly funds art, not administrative overhead. Horst offered remarks at the event, along with representatives of the member organizations’ boards: Eva Silverman of Blair Thomas & Co., Sara Solotaroff Mirkin of eighth blackbird, and Elaine Adams of Lucky Plush Productions. Notable attendees included Peter Handler of the Driehaus Foundation, Andrew Michell and Kristen Romans of the Arts & Business Council, Dirk Lohan of Lohan Anderson architecture, and Robert Gallucci of the MacArthur Foundation in addition to prominent supporters and fans of each company.

    For listeners, the event proved that the Creative Partners project benefits from the artistic vision that the participating companies share ­­ as Richards put it, “Anyone who would enjoy what eighth blackbird does with music is also going to be thrilled by what Blair does with theater, and totally excited by what Julia does with dance.” Far from competing with one another in the realm of genre­bending performance art, members of the Creative Partners team are providing supporters and fans with a one­stop shop when it comes to giving to the Chicago performing arts scene.

    “I wondered whether Creative Partners was some kind of unworkable chimera or was actually just audacious enough to succeed,” Twitchell said. “In the end, we were convinced that it could succeed, and further, that it must to be tried, not just for the sake of these three outstanding companies, but for the arts field more broadly which urgently needs new models of sustainable administration.

  • Blair Thomas presents “The Selfish Giant” on May 17 and 18

    Tiny Tempest Farm hosts its annual organic vegetable and herb plant sale for two days this May. In addition, this year will feature two public performances of the family oriented puppet show The Selfish Giant by Blair Thomas & Co.

    Owners Sheri Doyel and Blair Thomas, along with their twin sons, moved to Mohawk Road three years ago intending to share Sheri’s home-grown organic goods and Blair’s nationally regarded unique theater and puppetry with the community around Geneva Lake. This May, folks who garden and grow their own food will get a kick-start with the seedlings, and young and old can see the show in the family’s rustic dairy barn, transformed into a performance
    space for the two-day event.

    Suggested donation for The Selfish Giant is $5.00 for adults and children. Limited seating. Reservations recommended. Email [email protected] or call 262-374-4903.

    Friday May 17 and Saturday May 18: Plant Sale each day 10:00am-6:00pm, Performance The Selfish Giant at 5:00pm (Friday); 2:00pm (Saturday). Tiny Tempest Farm is at W4355 Mohawk Road, Lake Geneva, WI 53147

    Recently presented at the Milwaukee Art Museum, The Selfish Giant was created by two theater icons— puppeteer Blair Thomas and singer-songwriter Michael Smith. Running time: 35 minutes.

    Based on the tale by Oscar Wilde, the original puppets and music tell the story of a grumpy old giant who forbids the children in his village from playing in his beautiful garden. After the children are locked out, the trees and flowers refuse to grow and the garden plunges into an eternal winter. Then one morning, the children sneak back into the garden, bringing with them the joyous rebirth of spring.

    This production was originally commissioned by the Chicago Children’s Theater and the world premiere was presented by the Chicago Children’s Theater in January 2008.

     

  • Theater + Music + Dance = Creative Partners’ THE UNEXPECTED


    Creative Partners
    , an innovative collaboration in the arts that brings together three leading Chicago companies (Blair Thomas & Company, eighth blackbird, and Lucky Plush Productions) invite audiences to THE UNEXPECTED — a launch event featuring performances and a reception on Thursday, April 25th, 2013, at 7pm at The Museum of Contemporary Art Chicago, 220 E. Chicago Ave. Tickets ($40) are available at www.cptheunexpected.eventbrite.com. On-site parking will be available for $11 in the MCA garage.

    Each company will present work from their award-winning repertory, including Blair Thomas & Co.’s “The Blackbird”, Lucky Plush’s “Cinderbox 2.0”, and eighth blackbird’s “These Broken Wings,” which was recently performed at the Grammys.

    Creative Partners pave the way for a new funding model and to make more art. As part of Creative Partners’ joint fundraising model, each company benefits from high-level fundraising assistance and cross-disciplinary audience development. The partner companies share an aesthetic of the new, the genre-bending, and the experimental; above all, each company believes that performances should tell you something and take you somewhere.

     

     

     

  • “Selfish Giant” at Milwaukee Art Museum

    selfishgiantOn Sunday, March 24, BT&Co will perform their adaption of Oscar Wilde’s The Selfish Giant at the Milwaukee Art Museum as part of of their Kohl’s Art Generation Family Sundays. The Selfish Giant will begin at 2:30 p.m. and is free with museum admission.

    A collaboration with singer-songwriter Michael Smith, The Selfish Giant adapts a revered fairy tale by Oscar Wilde into 45 minutes of music, magic, and impressive puppetry. “Thomas’s work is always best in an intimate setting,” says Chris Jones of the Chicago Tribune, and there are few venues more perfectly suited to Thomas’ work than the Milwaukee Art Museum (not in the least because the building itself is a puppet in its very design).

     

  • Moby-Dick Excerpts At Storefront Theater

    Moby-Dick Excerpts At Storefront Theater

    1W8A3200Blair Thomas & Company presents work-in-progress excerpts from its future production of Moby-Dick on Sunday, January 20th, 2013, at 2pm at Storefront Theater, 66 E. Randolph, Chicago. Admission is free – for reservations email [email protected]

    Narrator Ishmael recounts his journey on the Pequod as Captain Ahab’s relentless pursuit of the White Whale leads the entire crew to the depths of the ocean’s great unknown.  The words of this great American novel are brought to life on the stage through bunraku puppets and rolling paper scrolls.

    In the Works is a performance residency program that gives emerging and established performing artists the opportunity to test-drive new work in a public setting. Each residency is tailored to the needs of the artist or company and their project and each showing is a unique opportunity for audiences to get a behind-the-scenes look at new work by Chicago artists. This program is made possible through a grant from The Boeing Company. Admission is either free or low-cost.  Visit www.chicagocultuturalcenter.org for a complete schedule.

     

     

  • The Living Room Tour 2012: The Tell-Tale Heart

    The Living Room Tour 2012:
    The Tell-Tale Heart

    Blair Thomas & Company announces an exclusive preview of their new Halloween performance, The Tell-Tale Heart. This incomparable interpretation of one of Edgar Allan Poe’s most famous short stories, a psychological portrait of a mad murderer who is tormented by the sound of his victim’s relentless heartbeat, will be performed in various private locations within Chicago in October, 2012. The performance includes original music by Mark Messing and Bunraku puppets by Shoshanna Utchenik.
    Each night, an intimate party and performance will support the remarkable contemporary puppet theater work of Blair Thomas & Company. Hosted in three distinctive locations, these unique events include dinner, drinks and Blair’s latest creation. 6:30pm – Dinner and Drinks; 7:30pm – Performance of The Tell-Tale Heart. Tickets ($80 each) for adults and kids age 8 and up are available through Brown Paper Tickets links below.
    Tuesday, October 23 at Coyle & Herr, 1200 W. 35th St.
    Explore and enjoy Coyle & Herr, Chicago’s inspiring home furnishings consignment warehouse. Discover why Rick Kogan of the Chicago Tribune calls it “‘the world’s biggest living room.’” For tickets click HERE.
    Wednesday, October 24, at the home of De and Paul Gray
    Visit the home of gallery owners and art collectors De and Paul Gray, and experience their spectacular skyline view and world-class art collection, including a privately commissioned work by Jaume Plensa. For tickets click HERE.
    Tuesday, October 30, start at the home of Claire Geall Sutton and Mark Sutton
    Continue at the home of Karen Carter Lynch and Brad Lynch. Start this progressive evening in the cozy confines of the Sutton home surrounded by their eclectic art collection. Then stroll next door to a modern architectural masterpiece designed by owner Brad Lynch. For tickets click HERE.
    And for the little ones…
    In addition to the evening event on October 30 at 4:15pm, there will be a separate 15 minute long family-friendly performance of “Halloween Tales” (for kids ages 3-8). Tickets are $10, click HERE to purchase.
  • Moby-Dick coming to Logan Center, September 18

    Blair Thomas & Co, Lookingglass Theatre, and The House Theatre of Chicago are featured in EXPLORING MOBY-DICK – a night of three different adaptations of Herman Melville’s novel, in various sites of performance within the new Logan Center for the Arts in Hyde Park, Chicago. The event, which is free and open to the public, will take place on Wednesday, September 18 at 6:30pm at the Reva and David Logan Center for the Arts, 915 East 60th Street, Chicago. Audiences will move from space to space to experience the three adaptations, and are invited to join the artistic staff in the courtyard following the performance to discuss the work. Free advance tickets may be reserved at www.mobydickatlogan.eventbrite.com

    These three companies are all sharing mid-process works that explore this seminal American narrative from richly different artistic perspectives. According to Chelsea Keenan of the House Theatre: “What’s so exciting for the audience is to see that process, to get in on something rare and fleeting. What frames the three works at this stage will be not a traditional collaboration, but the source material and the astonishingly disparate directions the three groups will take them — we’ll likely witness surprising overlaps.”

    This event takes place as a part of the Summer Inc Residencies with Theater and Performance Studies at The University of Chicago. This project is supported by a grant from the Boeing Corporation.

     

  • The Huffington Post: Behind the Scenes With Master Puppeteer, Blair Thomas

    Blair creates sophisticated puppet theatre for adults (and kids) and often does everything from puppet building, the costume creation, and music to the performances themselves. A bit of a one-man-band, through puppets Blair is able to tell deep and complex stories with the various characters often being different extensions of his own personality. Right! Not your average puppet show!

    via Elysabeth Alfano: Behind the Scenes With Master Puppeteer, Blair Thomas.